IT’S OFFICIAL, LUCKY IS A USDF ALL BREEDS CHAMPION!

Merriewold Ima Lucky Star and Kat Trueblood are the:
 2014 USDF All Breeds Champions at Training Level Open!
Kat Trueblood & Merriewold IMA Lucky Star

Adequan®/USDF All-Breed Final Awards Standings

Orgs:  .American Morgan Horse Association
Award Names:  Open
Levels:  Training Level

Rank Horse Median Rider Share
1 Merriewold Ima Lucky Star 69.542 Kat Trueblood Share Page

We are so proud of Lucky and Kat!!!

To see Lucky’s feature page, pedigree and photo/video album
CLICK HERE

Share

New photos Quito and Tessa

Our 2, 2014 foals Quito and Quintessa are Three months old in these photos.  Quito has followed Tessa and his coat has turned very dark…almost black! (Tessa went from light to liver chestnut)

To see all our photos of Quito and Tessa…CLICK HERE

Quito, 3 months, sept 2014         Quintessa 3 mos, sept 2014

Share

2014 MWM Photo Contest Finalists!

AND THE WINNERS ARE…

2014 Morgan Horse Photo Contest Winner

The winning photographs in the Merriewold Morgans 2014 International Morgan Horse Photo Contest have been selected.  Congratulations to the 4 Finalists and the 8 Honorable Mention Winners  it was difficult making the final choices with so many high quality photographs.   A huge Thank You to all the photographers and Morgan lovers who took the time to enter their beautiful photos.

This has been a record-breaking year for our contest!  164 photos were entered,  about double the number in previous years.  Entries came from 6 countries including: Germany Australia, Canada, Sweden and the UK.  From the USA, 31 states participated!

Because of the large response, we decided to increase the number of winning entries by adding a fourth finalist and 2 additional photos in the honorable mention category.  And still there were so many excellent photos that our judges, Entera and Casey McBride would have liked to select.

Each year the quality and interest in our Morgan Photo Contest just gets bigger and better.  If you entered but didn’t win a prize, keep working on your photo skills, keep taking more shots and perhaps take a photography course.   And please enter again next year!

The Winners

Come Fly With Me, by Paola Anderson

First Place:  Come Fly with Me,  by Paola Anderson

Judges comments, “This photo is not only visually pleasing, well composed and technically strong, but it also is inspiring and tells the tale of a boy and his friend on a magical adventure.  This photo could be the cover image for a story similar to Peter Pan.   Congratulations, Paola on a wonderful photo!”

New Kid on the Block, by Vali Suddarth

Second Place:   New Kid on the Block, by  Vali Suddarth

Judges comments,  “This photo has interesting composition, dramatic theme and shows the beauty and character of the Morgan horse all in a natural, pastoral setting.  Well done!”

Peekaboo, by Tina DeLullo

Third Place:  Peekaboo, by  Tina DeLullo

Judges comments,  “A serene portrait that is artistic, creative, and also technically and compositionally well done.   But most importantly, it gives the viewer a sense of the character and beauty of the Morgan Horse. Congratulations Tina!”

 

I Love My Ball, by Corrie MacMurchy

Fourth Place:  I love my Ball, by  Corrie MacMurchy

Judges comments,  “Fun,  Funny, Endearing!  This photo makes you smile. And isn’t that what our Morgans do?  Make us smile every day. The judges wanted to give this photo a special prize for humor!   Wonderful Photo!”

In no particular order, the Honorable Mention winners are:

Focused On A New Beginning, by Jackie Dannenberg;  Love at First Sight, by Stephanie Tanner; Oh The View, by Dana Crossland; Beach Fun, by Robin McGrath; Wanna Share, by Michele Meijer; Stallions Poco and Calypso, by Danny Collins; Sunset, by Klaus-Peter Henkel and Diego. Morgan-3, by Jennifer Judkins.

Focused On A New Beginning, by Jackie Dannenberg     Love at First Sight, by Stephanie Tanner

Oh The View, by Dana Crossland     Beach Fun, by Robin McGrath

Wanna Share, by Michele Meijer     Stallions Poco and Calypso, by Danny Collins

Sunset, by Klaus-Peter Henkel     Diego. Morgan-3, by Jennifer Judkins

Bj. deCastro has written an article exclusively for the Merriewold Morgans Annual Photo Contest called, “12 Tips on how to get that Award-Winning photo of your horse” for the aspiring photographers.

Click here to see all the 2014 photo entries.

That brings us to the end this year’s contest.   We look forward to another year and our 6th annual contest in 2015!  See you all then!  And keep taking those photos of your Morgans!

Diana

Share

12 Tips on how to get that Award-Winning photo of your horse

Photographing your horseIn this wonderful age of technology, you no longer need fancy camera equipment to get that Award-Winning photo of your horse.  The camera on your smartphone, some time in practicing and a little luck in being camera-in-hand at the right moment will do it.   Start with 100 pics each session and you should have 1 spectacular one.  As you practice, you will end up with 2 good ones, then 3 and so on.

Here are some tips that I have learned in my 18+ years of studio work that you can practice with:

1.  Consider your composition and place your subject ‘off-center’.  It is often said that an artist spends more time planning where they want the viewer’s eye to travel – than actually painting.  It’s the same with photography.  This careful thought into the composition (where items/subjects rest in the real estate of your picture) determines if the viewer’s eye is going to hang out for awhile and be entertained…or if it’s going to see 1 point of interest and leave.

Placing your subject slightly off-center with enticing paths in the background for the eyes to follow will keep the viewer looking at your image.  Try colorful objects, figures, fences, roads, horizons, mountaintops, tree-lines, shorelines, footsteps in the sand, etc.   Then bring the eye back to your main subject.  Look at a pic now and pay attention to where your eye ball moves.  See what I mean?

2.  Thanks to the Delete button, we have lots of new creative powers.  Use the ‘action’ or ‘sports’ multi-shutter setting on your camera.  Then pick the best one and delete the rest.  This is wonderful for getting that perfect leg position or the best wind-blown mane.  Even with still shots, if the horse flinches, you should have a good one before or after the flinch.

3.  The subject should be at least 75% of the image and the background 25% for head, shoulders or body shots.  For Scenic shots, the horse should be at least 25% of the image.

4.  The best times to shoot are in the late afternoon when the shadows are long.  Or early in the morning when the light is brightest and warmest in color and the shadows are still long.  Never shoot at high noon.  The 2D camera will have no contrast to work with and your images will be flat.

5.   Subject in the sun.  You in the shade.  This will prevent any light from hitting the lens and causing distortions, blurring and faulty colors.

6.  Windy days can make dramatic shots.  The flowing mane and landscaping will bring ‘action’ to still subjects.

7.  Notice the color of the background.  White horse/grey barn…not good.  White horse/green trees..beautiful contrast.  Sometimes just taking a step or twisting left or right will change your background from crappy to gorgeous!

8.  Ears forward for portrait shots.  Use a treat or a reactionary command if needed.

9.  No posing – you or the horse.  When the brain sees a pic, it knows the body isn’t there, so the emotion is one of voyeurism or being a ‘peeping Tom’.  Making up a story is it’s first reaction, so it knows how to file and prioritize the data the eyes are logging.  If the subjects are posed, then the brain tells the eyes to move on…there is no story here that I can create.

10.  Don’t over-filter…either pre-shot or post-shot.  Pre-shot is with your camera settings/apps and Post-shot is with your editing software/apps.  It’s obvious and unattractive.  Just take a new shot.

11.  An intimate subject/moment calls for intimate framing.  Don’t be afraid to pull the viewer in by zooming in a little bit more.  On the other hand…

12.  Is it micro-photo art or did you zoom in a bit too much?  There is no expression in the eyeball itself.  If you are fascinated by the mirror images that reflect in your horses eye when you get really close, then you WILL need the special micro lenses and equipment that make that image work.  Close-up portraiture needs the horses natural means of communicating emotion to  create that story for the viewer – i.e., head tilt, eye lids, ear postions, mouth/lip/tongue movements, clear focus and lighting.  And/or an intimate moment with another subject or object – like a wind-blown piece of mane, a leafy branch, a worn and story-filled bridle, etc.

Mute your phone and go create!  Your horse will love the attention and your brain will love the exercise.

Bj. deCastro

Share